Carlotta Brentan narrates Giulia Caminito's English-language debut, giving its main character, Gaia, two believable voices. Set in Italy in the 1990s, this novel recounts the struggles of the Colombo family, who seek to rise out of poverty and find their place in a judgmental society. Brentan takes listeners into teenage Gaia's mind, emphasizing her frustration and embarrassment at her family's dysfunction. Brentan gives Gaia a realistic Italian accent. Antonia, her strong-willed mother, sounds angry and uncompromising as she struggles against the barriers that keep her family in poverty. Massimo, the disabled father, who is forgotten by his employer and society, sounds hopeless, while Gaia's anarchist older brother puts words into action. The author's note provides historical context.
Pub Date: July 8, 2025
Duration: 10 hrs
DD ISBN: 9798882369179
Publisher: Spiegel & Grau by Spotify Audiobooks
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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