Narrator Emilia Clarke uses a soft voice and a crisp British accent interspersed with fluid Italian phrases for this story of music in early- eighteenth-century Venice. Venetian orphan Anna Maria della Pietà, daughter of a local prostitute, is a violin prodigy who studies under Antonio Vivaldi. Descriptions of the harsh life in the Pietà, an orphanage for the children of prostitutes, are interspersed with descriptions of musical notes that are full of color and strong emotion. In a vibrant voice Clarke describes the rigorous life the orphans endure and the ceaseless practice and pressure imposed on Anna Maria to perform her music flawlessly. Based on the real-life Anna Marie, who is considered Vivaldi's muse, this story will haunt listeners long after it's finished.
Pub Date: Aug. 20, 2024
Duration: 11 hrs
DD ISBN: 9781797182032
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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