Dorje Swallow's performance of this metafiction centers this whirligig of a novel in which story begets story. His assured narration--in particular, his ability to do voices and accents and adapt his tone to whatever the scene--makes this audiobook marvelous to listen to. Hero Tojosoa ostensibly comes to Prague to join her friend, Sofie, for a weekend. When Dorothea Gilmartin arrives as well, the plot thickens, splatters, and all manner of mayhem ensues--including a wedding that the listener learns of before the character herself and a shape-shifting book titled PARADOXICAL UNDRESSING, whose stories change for every reader. The city itself seems to narrate parts. Not to worry, Dorje Swallow's steady delivery takes the listener through the looking glass in fine fettle.
Pub Date: March 5, 2024
Duration: 8 hrs, 15 mins
DD ISBN: 9780593829370
Publisher: Penguin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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