Nicholas Guy Smith narrates this oddball adventure of two Dutch septuagenarians who accidentally find themselves in possession of a baby girl. Hendrik and Evert are looking forward to an enjoyable evening of camaraderie and relaxation. On his way to Hendrik's apartment, Evert ducks into a school bathroom to relieve himself, but after a series of small and extremely funny misfortunes, he inadvertently kidnaps the infant who is intended to play the baby Jesus in the school's Nativity play. Smith's droll delivery and tongue-in-cheek humor make the tale hilarious and a little scary. As the two try to return the baby without being arrested, more craziness ensues. Complete with frantic teachers, distraught parents, bumbling cops, snarky teenagers, and some larceny-minded opportunists, Smith's performance is as delightful as they come.
Pub Date: June 1, 2021
Duration: 6 hrs, 15 mins
DD ISBN: 9781549187179
Publisher: Hachette Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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