by Ito Ogawa ; translated by Cat Anderson ; read by Hanako Footman ‧ RELEASE DATE: July 7, 2026
Listening to Footman is like curling up with a green tea and a welcome missive.
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Hanako Footman's calm voice, perfect Japanese pronunciation, and English accent are ideal for narrating this Japanese bestseller. Hatoko inherits the Tsubaki Stationery Store from her strict grandmother, who raised her and taught her the family trade of calligraphy and scribing—writing important letters for people. Like a haiku, the book brims with nature and surprises. Divided into seasons, the story is further segmented by vignettes featuring letters that customers request. Footman’s slow pace and contemplative tone reinforce Hatoko's characterization as a thoughtful assessor of people. She adopts a buoyant tone for Hatoko’s close friend, highlighting their different personalities. For customers, Footman subtly conveys character without caricature.
Listening to Footman is like curling up with a green tea and a welcome missive.Pub Date: July 7, 2026
Duration: 7 hrs, 11 mins
DD ISBN: 9798217338368
Publisher: Penguin Audio
Review Posted Online: yesterday
by Michael Chabon ; read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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