Veronica Swann is 12 when her younger sisters are murdered. This horrible event never leaves her and her parents, but when the killer is released years later, her parents are able to forgive. Veronica’s inability to do so will lead her on a surprising journey. Narrating this first-person novel with empathy and sensitivity, Kathe Mazur captures the right emotional pitch throughout--from the pain of the event to the joys and triumphs of Ronnie’s progress toward adulthood. Mazur’s depiction of the other characters--Ronnie’s parents, her friends (male and female), and Scott Early, her sisters’ killer--are all convincing and compelling. Mitchard’s ability to explore the dynamics of a family affected by tragedy, coupled with Mazur’s expertly nuanced narration, makes this a winning production.
Pub Date: Feb. 4, 2006
Duration: 9 hrs, 15 mins
Publisher: Books on Tape
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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