James Meunier convincingly portrays the confusion and terror of Alex Dean, a Londoner who wakes up one morning in a place and time he doesn't recognize. Alex's most recent memory is spending a delightful evening with his girlfriend. They were celebrating his acceptance to Cambridge--until they were interrupted by a violent confrontation with Alex's childhood nemesis. Meunier voices Alex's disgust at discovering he's now a derelict alcoholic, and his terror the next morning when he again awakens in new circumstances. As Alex travels through his atemporal life, he strives desperately to reconnect with his beloved Holly, whom Meunier portrays with subtle charm. Meunier guides the listener through the consideration of whether small decisions can significantly impact the course of one's life.
Pub Date: March 19, 2024
Duration: 11 hrs, 15 mins
DD ISBN: 9781488229886
Publisher: Harlequin Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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