Cassandra Campbell impressively narrates this immersive multigenerational saga, set mainly in Chicago in 2016. As listeners meet the extended Sullivan clan, the point of view shifts among three people--sisters Jane and Gretchen, and their cousin Teddy. Campbell exquisitely inhabits older sister Jane, mother of two, who questions her marriage and her privileged suburban life; Gretchen, who returns home after a decade-long stint as a singer in a '90's cover band; and Teddy, a restaurant manager who is disappointed in love. Campbell expresses each character's struggles, as well as the bonds and tensions among them. Set amid the political climate of the Trump presidency, this audiobook also depicts the challenges of owning and operating a restaurant--and of being a Cubs fan.
Pub Date: April 26, 2022
Duration: 11 hrs, 15 mins
DD ISBN: 9780593551851
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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