by Jonathan Rosen ; read by Lorna Raver ‧ RELEASE DATE: Jan. 22, 2004
Awards & Accolades
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Deborah Green is a young, vibrant, and deeply reverent rabbi committed to her faith and the people who need her. Dedicating herself fully to these responsibilities keeps her focused on others, and when she quite effortlessly finds herself falling in love with the son of hospital patient Henry Friedman, no one could be more surprised than she--and maybe Lev, the object of her affection. Lorna Raver is a marvelous performer whose depth and ability to reveal character transform a beautifully written novel about a loving family into a rare listening experience.
Pub Date: Jan. 22, 2004
Duration: 13 hrs
Publisher: Blackstone Audio
Review Posted Online: Jan. 22, 2026
by Michael Chabon ; read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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