Karen Chilton's and Kirby Heyborne's performances bring a distinctive energy to this unique story about two talent agents who are chasing soccer's next rising star. Mark is bored yet intrigued by his brother's mission to find the elusive star, Godwin. Heyborne as Mark, captures the man's internal conflicts and decisions in a reflective tone that fits the character's personality. Chilton's interpretation of Lakesha Williams provides a steady, thoughtful presence that emphasizes her role as a keen observer in her colleague Mark's life. Together they skillfully handle the alternating perspectives, maintaining a rhythm that underscores the novel's exploration of family dynamics, migration, and the world of soccer. Their narration avoids bringing too much attention to the deeper themes of ambition, identity, and the complicated history of international trade and colonialism.
Pub Date: June 4, 2024
Duration: 12 hrs, 30 mins
DD ISBN: 9780593868560
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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