This immersive audiobook challenges listeners to look back critically and compassionately.
This tale of violence set in the 1840s is told in two distinct voices. With grit and drama, Danny Campbell tells the story of Silas Hall, a neurodivergent outlier in a life-and-death struggle to protect his “hut” in the Sierras from the arrival of Gold Rush miners. Sounding more youthful, Benjamin Holtz narrates letters written by Silas to the son he abandoned years earlier, when his issues overwhelmed him. On the autism spectrum, Silas grows up mostly alone, and he feels a special connection to the natural world. He has bouts of violence, yet is a talented artist who lives among the Nisenan tribe, learning their language and folkways.
This immersive audiobook challenges listeners to look back critically and compassionately.Pub Date: June 2, 2026
Duration: 20 hrs, 5 mins
DD ISBN: 9798217340293
Publisher: Random House Audio
Review Posted Online: June 30, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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