While her Australian accent might seem unexpected at first, Caroline Lee is the perfect narrator for this story, set in Cornwall, England. From the first sentence, Lee captures its fairy-tale quality and eerie ambiance—then remains impeccably engaged while completely disappearing for the entire 22 hours. Listeners will be captivated as they meet the Edevane family in the 1930s, when their baby boy goes missing during the annual midsummer party at the family’s lake house. In the early 2000s, police detective Sadie Sparrow seeks to find the truth about the cold case, as well as about a current case that she’s been reprimanded for botching. As Lee moves listeners between the past and the modern day, a thrilling mystery unfolds. Lee’s narration makes it an enchanting listen.
Pub Date: Oct. 20, 2015
Duration: 21 hrs, 30 mins
Publisher: Bolinda Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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