by Kim Fu ; read by Eunice Wong ‧ RELEASE DATE: March 3, 2026
Eerie and atmospheric, Wong’s performance makes for an unsettling, hard-to-forget listening experience.
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Eunice Wong narrates with a precision that captures the surreal line between sanity and grief in this hypnotic and disquieting novel. After her mother’s death, Eleanor, an online therapist, uses her inheritance to buy a home worthy of her mother’s memory. The bright, modern, stark home is located in an isolated, deserted valley stripped bare of trees, with only one other model home nearby. Wong’s controlled portrayal brings out Eleanor’s increasing instability and depression. She performs the characters who inhabit Eleanor’s world with unnerving voices that are at times hollow and mechanical, at times menacing, adding tension to the descriptions of the all-consuming landscape.
Eerie and atmospheric, Wong’s performance makes for an unsettling, hard-to-forget listening experience.Pub Date: March 3, 2026
Duration: 7 hrs, 52 mins
DD ISBN: 9798217409631
Publisher: Penguin Audio
Review Posted Online: April 14, 2026
Kirkus Reviews Issue: May 15, 2026
by Michael Chabon ; read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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