Edoardo Ballerini's spellbinding performance of this intergenerational tale of love and survival lingers in the mind long after one is done listening. Based on memories of the author's Dutch grandmother, the novel incorporates two stories--the child Mieke, who is trying to survive Holland's "Hunger Winter" of 1944, and Mieke's adult grandson, Will, who visits his now elderly grandmother in her American home. Ballerini transcends the different eras, locations, and storytellers with an almost poetic narrative voice that allures and captivates. In scene-setting contrast, the characters of 1944, from Amsterdam's hungry children to exhausted adults to urgent Nazi occupiers, receive vivid and distinct Dutch-influenced interpretations. In America, grandson Will is a believable everyman. And the eels of Holland's waterways, who watch and comment, are ironic and wise.
Pub Date: Aug. 13, 2024
Duration: 8 hrs, 15 mins
DD ISBN: 9780063352926
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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