Five remarkable narrators create an unforgettable portrait of the Warsaw Ghetto during WWII. Brad Griffith provides the main narration as Adam Paskow, a language and literature teacher who lost his beloved wife, Kasia. After being relocated to the Warsaw Ghetto, he is recruited by the real-life Oneg Shabbat to document the histories of the Jews there. Jesse Vilinsky, Sharon Freedman, Amir Levi, and Rich Keeble create memorable portraits of the students, housemates, and acquaintances Adam interviews. The narrators evoke an unimaginable world wherein Jews must sell their few possessions for food to supplement their meager rations. At any moment, Nazi officers can kill them for the slightest offense. Listeners will feel as though they are witnessing history. A must-listen.
Pub Date: Nov. 28, 2023
Duration: 9 hrs
DD ISBN: 9781668628362
Publisher: Hachette Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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