Foster effectively communicates the powerful emotional impact and the desperation of an anonymous online world.
Kelsey Navarro Foster narrates as Dell, a destitute college dropout who has a comatose sister. Needing $14,000 to pay for her care, Dell starts a weeklong livestream to garner viewers and donations. Starting with eating increasingly hot peppers, the dares she takes on become more dangerous for larger stakes. She also has an internet stalker who is threatening to expose her past. Foster transmits Dell’s pain, both physical and emotional. She portrays the exasperation of an overwhelmed mother, Dell’s tough online persona and her apathetic private self, and, most strikingly, the heightened emotions of online viewers, conveyed through their comments.
Foster effectively communicates the powerful emotional impact and the desperation of an anonymous online world.Pub Date: Jan. 20, 2026
Duration: 8 hrs, 45 mins
DD ISBN: 9781668130308
Publisher: Simon & Schuster Audio
Review Posted Online: March 10, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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