With a pervasive tone of uneasiness, Chin steadily leads listeners through the years.
Katharine Chin voices Jane Kim, a Korean American law student whose dysfunctional family is forced to reconcile their lives witha traumatic event and its implications. Over the span of 30 years, Jane is belittled by her family andunfavorably compared to her brother, Kevin, who is given preferential treatment as the son. Chin captures the tension between Jane and her mother and brother during drawn-out arguments, which can sound painfully repetitive. The book’s heart is found in a sibling relationship that feels overwhelmingly fraught as cultural and familial pressures reach a boiling point.
With a pervasive tone of uneasiness, Chin steadily leads listeners through the years.Pub Date: March 31, 2026
Duration: 8 hrs, 59 mins
DD ISBN: 9781668653678
Publisher: Hachette Audio
Review Posted Online: May 5, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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