Lorrie Moore’s stellar collection of short stories, her first in 16 years, is not a sunny book, and her deeply ironic delivery, almost deadpan at times, announces that from the get-go. This self-read audiobook is the perfect vehicle for her mordant wit, which might be described to newcomers as David Letterman squared. But Moore’s dark, divorce-filled world, populated by “graying human flotsam with scorched internal landscapes mimicking the young,” will wow her devotees but will not appeal to all listeners. Her intended audience is the world-weary: "'Marriage is one long conversation' wrote Robert Louis Stevenson. Of course, he died when he was 44, so he had no idea how long the conversation could really get to be.”
Pub Date: Feb. 25, 2014
Duration: 5 hrs, 30 mins
Publisher: Blackstone Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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