Narrator Johnathan McClain's deep register makes this historical thriller into a compelling audio experience. In the days following the assassination of JFK, New Orleans mobster Carlos Marcello must make certain that no one finds out of his involvement. In doing so, he sets in motion a dangerous clash of disparate lives. Marcello sends Boone, a vicious hit man, to eliminate grifter and Mob organizer Frank Guidry and the traveling companions he has adopted for cover: a runaway wife and her two daughters. Guidry's growing affection for the family and his changing attitudes are deftly reflected in the narration. McClain transitions seamlessly from the energy and innocence of the girls to the chilling underworld figures of New Orleans and Las Vegas.
Pub Date: Oct. 9, 2018
Duration: 9 hrs, 30 mins
DD ISBN: 9780062866356
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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