Gary Farmer introduces the listener to the Coutts family, members of the Ojibwe tribe who reside on a reservation in North Dakota in the 1980s. Perfectly cast due to his own Native American background, Farmer compassionately tells the story of 13-year-old Joe, whose mother is attacked, raped, and hospitalized—and is never quite the same again. Joe is equally devastated; desperately trying to console her, he finds himself thrust into a reality that is both traumatizing and isolating. Farmer’s voice sounds earnest and respectful as this frustrated family bears the unjust investigation into the crime. As Joe’s father, a tribal judge, does his best to escalate the inquiry, Farmer dramatizes how Joe burdens himself by taking matters into his own hands and discovers the glaring inequity encountered by an American Indian family seeking justice in a white world.
Pub Date: Oct. 2, 2012
Duration: 12 hrs, 30 mins
DD ISBN: 9780062204943
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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