Louise Erdrich never disappoints in this engrossing, beautifully written novel. Her narration is breathy, poignant, often funny, and always engrossing. Tookie works at Birchbark Books, an independent bookstore in Minneapolis owned by Erdrich--who sometimes enters the novel as herself. Tookie is being haunted by the ghost of her most annoying customer, Flora, who won't leave the bookstore. With equal attention to the seen and the unseen, Erdrich delivers what feels like a nonfiction novel. She chronicles the dwindling awareness of Native language and identity, the ever-present specter of white supremacy, George Floyd's murder, and the Covid pandemic. The pages are filled with pain and awareness. With each character as real as Flora's ghost, listeners will find a masterful performance of a marvelous novel.
Pub Date: Nov. 9, 2021
Duration: 11 hrs, 45 mins
DD ISBN: 9780063144859
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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