Narrators Shaun Taylor-Corbett and Renata Friedman bring to life this epic novel spanning the period from 1998 to 2014, when teen Nathanial Rothstein goes missing in Austin, Texas. They voice a wide cast of misfits whose lives intersect during the pivotal summer of 1998. At 16, Rothstein is miserable, yet through a phone-sex hotline, workouts at a boxing gym, and access to medication at a nursing home, his worldview expands in unexpected ways, particularly around race and gender. Taylor-Corbett and Friedman deliver a range of accents that lend authenticity to the extensive list of characters they portray. Their vocal talents capture humor, sadness, and tension with nuance and sincerity. Overall, their performances help sustain listener engagement throughout this sweeping story.
Pub Date: June 3, 2025
Duration: 17 hrs, 45 mins
DD ISBN: 9781797191171
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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