by Norman Lock ; read by Grover Gardner ‧ RELEASE DATE: May 13, 2014
Grover Gardner adopts the mantle of Mark Twain's Huck Finn with precisely the timbre, emphasis, and pacing that one would imagine of a matured Finn who has been thrown into the future. Although the iconic character has not aged in the intervening years, he comes of age when he’s washed ashore during Hurricane Katrina, and he continues to live until 2077, when he recounts the broad history of his experience. Author Lock achieves a most curious pastiche of the Tom Sawyer/Huck Finn saga, and his recognizable adaptation of Twain's quintessential humorous style charms the listener. Fans of Twain will enjoy the many references to the original works.
Pub Date: May 13, 2014
Duration: 5 hrs, 45 mins
DD ISBN: 9781483010076
Publisher: Blackstone Audio
Review Posted Online: Jan. 22, 2026
by Michael Chabon ; read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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