Edoardo Ballerini and Lisa Flanagan bring poetic pacing and a sense of coldness--both physical and emotional--to performances that are true to this audiobook. Ballerini portrays Odd Einar, a sealer who is stranded alone for two weeks in the Arctic in 1897 before being rescued and arriving home in the middle of his own funeral. Ballerini's deep voice and tinge of an accent perfectly capture Einar's epic survival, followed by the emotional maelstrom of reentering his old life. Flanagan portrays Greta, a descendent of Einar living in northern Michigan in 2017. Flanagan imbues Greta with a steely resolve and a slight edge to her voice that also feel appropriate. The stories come together as Greta travels to Hammerfest, learns about Odd Einar, and falls in love.
Pub Date: Aug. 18, 2020
Duration: 11 hrs, 30 mins
DD ISBN: 9780593169834
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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