by Portia Elan ; read by Lisa Flanagan , Helen Laser , Yu-Li Alice Shen & Nancy Wu ‧ RELEASE DATE: May 5, 2026
Delivering four unforgettable performances, these narrators pour their hearts into this world.
Awards & Accolades
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Becks, a teenager; Tamar, a scientist; Chaya, a robot; and Yesiko, a middle-aged boat captain, are bound together across seven centuries by their connection to the computer game Homebound. As these characters wrestle with their lives' purpose, their temporal separation begins to feel more and more inconsequential. Sounding thoughtful and articulate, Lisa Flanagan is the soft-spoken scientist Tamar, who introduces self-aware robot Chaya to Homebound. Yu-Li Alice Shen's portrayal of Chaya's synthetic, machine-generated voice is exceptional. Helen Laser impresses as the disillusioned, emotionally overwrought Becks, and Nancy Wu is the perfect narrator for old salt Yesiko, who demands only the best from others.
Delivering four unforgettable performances, these narrators pour their hearts into this world.Pub Date: May 5, 2026
Duration: 9 hrs, 55 mins
DD ISBN: 9781668138922
Publisher: Simon & Schuster Audio
Review Posted Online: Aug. 8, 2026
by Michael Chabon ; read by David Colacci ‧ RELEASE DATE: N/A
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
by E.F. Benson ; read by Geraldine McEwen ‧ RELEASE DATE: N/A
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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