Howard’s performance enlivens this horror audiobook.
In this alternate history narrated by Florence Howard, Anne Boleyn wakes up the day after her beheading, sews her head back on, and sets out for revenge. Disguised as a commoner, Anne keeps her true identity secret and, finding her royal upbringing unhelpful in a world lacking all luxuries, recruits a prostitute for help. Howard’s engrossing and emotional narration immerses listeners in Anne’s memories and thoughts. She differentiates a wide range of characters by varying her English accent, maintaining a refined diction for Anne and other royals and taking a smoother, more laid-back approach for commoners.
Howard’s performance enlivens this horror audiobook.Pub Date: March 24, 2026
Duration: 10 hrs, 44 mins
DD ISBN: 9798217175086
Publisher: Random House Audio
Review Posted Online: April 14, 2026
Kirkus Reviews Issue: May 15, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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