Marin Ireland narrates a stunning audiobook that explores race, class, family, and global catastrophe. A married couple and their teenage children are on summer vacation at a rented secluded home in the Hamptons. However, the house's owners arrive unexpectedly after fleeing New York City during a mysterious blackout. While the situation is uncomfortable, the two families--one white and middle class, the other Black and wealthy--cohabitate and try to figure out what's happened. Ireland portrays all the characters with pitch-perfect nuances. The tensions that arise feel organic and very much of our time. Whether Ireland is focused on the character dynamics or omnisciently describing the terrifying events of the world at large, she delivers an unforgettable powerhouse of a performance.
Pub Date: Oct. 6, 2020
Duration: 7 hrs, 30 mins
DD ISBN: 9780063033504
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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