Laurel Lefkow's narration evokes the dark tone of this literary novel about a millennial tech worker. Stuck in a toxic Silicon Valley workplace and struggling with depression and anxiety, 33-year-old Cassie feels like she's falling into a black hole. Things worsen when she discovers that an affair has resulted in an unplanned pregnancy at the same time that a deadly virus is taking over the world. Lefkow's performance enhances the novel's bleak mood, building tension as Cassie unravels. While Lefkow capably channels the author's incisive social commentary on capitalism and inequality, the listening experience is hampered by the repetitive use of definitions followed by "e.g." Nonetheless, audiences who enjoy contemporary dystopian stories may want to check this out.
Pub Date: July 11, 2023
Duration: 7 hrs, 30 mins
DD ISBN: 9781797161075
Publisher: Simon & Schuster Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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