Sebastian Croft gives a quiet, emotional performance of this tender debut novel by Irish poet Seán Hewitt. Sixteen-year-old James's small world breaks open when a new boy, Luke, arrives in his rural village in the north of England. James's feelings for Luke overwhelm him, and over the course of a year their friendship slowly transforms his life. Croft's soft narration captures the melancholic intensity at the heart of this audiobook. He brings the English village to life in his portrayal of secondary characters, but it's his voicing of Luke--full of palpable desire, longing, loneliness, and love--that makes his performance stand out. This is a beautiful book about queer friendship, self-discovery, and the ways that important places and important people sometimes blend into each other.
Pub Date: April 15, 2025
Duration: 6 hrs, 30 mins
DD ISBN: 9798217065738
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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