Narrators Elyse Mirto and John H. Mayer add liveliness to Kiernan's moving story about healing and redemption. Deborah, an empathetic hospice nurse, is struggling with how to help her combat-wounded husband regain a foothold in their life together, while Barclay Reed, a discredited historian and curmudgeon, is struggling with how to die with dignity. Though the story is told from Deborah's perspective, Mirto's sensitive performance allows each character to grow in the listener's imagination. Her low, almost husky voice reveals a wide range of feeling, from competence to desperation, from passion to fear. At the end of each chapter, Mayer enters to narrate a second, related story. While the connection takes a few chapters to become clear, once it does, Mayer's baritone is a welcome addition.
Pub Date: Sept. 8, 2015
Duration: 11 hrs
DD ISBN: 9780062416599
Publisher: Harper Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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