Stacy Gonzalez, Jasmin Walker, and Kim Ramirez breathe life into Straight's poignant account of the lives of Larette, Cherrise, and Marisol, ICU nurses who are working during the Covid-19 pandemic. Shaun Taylor-Corbett offers a glimpse of a man on the outside. Early in 2020, isolated in small trailers in San Bernardino, Calif., the three exhausted women deal with their fears of the virus and their concerns for themselves and their loved ones while facing the grim toll of patient losses. Gonzalez, Walker, Ramirez, and Taylor-Corbett's voices ring true as they portray their characters' apprehensions, as well as those of their colleagues, friends, and family. The lives of three nurses on the front line of the Covid-19 pandemic take on a dreamlike quality in this narration.
Pub Date: Oct. 28, 2025
Duration: 11 hrs
DD ISBN: 9798899732843
Publisher: Recorded Books Inc.
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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