This near-future dystopian novel is set in a time of ecological disaster in the mostly underwater community of Island City. Carlotta Brentan portrays the cast of characters smartly by subtly shifting tone, cadence, and timbre. She smoothly portrays the protagonist, who begins as a gangly 11-year-old named Sylvia. Brentan contrasts Sylvia's size and temperament with those of her secretive and diminutive Eastern European-sounding mother. The voices are nicely differentiated for the other female characters and for the single man in the story, who is both the voice of a pirate radio station and a friend to the mother and daughter. The once stately Morningside building is now home to "repopulated" folks who are part of a government program. Mysteries shroud this imaginative work.
Pub Date: March 26, 2024
Duration: 8 hrs, 30 mins
DD ISBN: 9780593823972
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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