This audiobook reveals that Orange is among the most insightful novelists writing today and a poet of pain. Among this segmented novel's stellar performances, Charley Flyte's reading of Victoria Bear Shield's dramatic monologue to her unborn daughter is a tour de force--a haunting performance with an expressive tone and intimate voice. Alma Cuervo portrays Jacquie Red Feather and Victoria--the unborn infant, now a grandmother--with candor, compassion, and a thoughtful pace. Shaun Taylor-Corbett performs some of the narration--in particular, the cri de coeur for Indian rights--and is especially convincing as the wounded Orvil Red Feather. Calvin Joyal captures Lony, the innocent seeker. Set in Oakland, Orange's immersive novel is a compelling look at the experience of urban Indians--a powerful listening experience.
Pub Date: March 12, 2024
Duration: 9 hrs, 30 mins
DD ISBN: 9780593824542
Publisher: Random House Audio
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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