This audiobook narrated by Liz Fodor explores sisterhood, history, family, love, and forgiveness. Sisters Emma and Agathe are complete opposites. Though close as children, they have grown apart in adulthood but now find themselves together as they empty their beloved grandmother's house in the Basque country. The story is told from varying perspectives and alternates between the past and present. While this structure provides a complete picture of the individual lives of the sisters and their shared history, it does make for a slightly disjointed listen and requires attention to the shifts. Fodor captures the personalities of the two women and the emotional roller coaster ride they experience as they speak up to each other, reminisce, and work to reconnect. A compassionate, funny, and heartwarming listen.
Pub Date: May 28, 2024
Duration: 7 hrs
DD ISBN: 9798889660545
Publisher: Europa Editions
Review Posted Online: Jan. 22, 2026
American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.
Pub Date: N/A
Duration: N/A
Publisher: Brilliance Audio
Review Posted Online: Jan. 22, 2026
Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.
Pub Date: N/A
Duration: 9 hrs
Publisher: ISIS Audio Books
Review Posted Online: Jan. 22, 2026
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