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THE LEFT AND THE LUCKY

A NOVEL

Vlautin brings a musician's lyricism to his audiobook.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Vlautin's narration is like a friend letting you in on the family stories, and here he delivers another true-to-life novel of beauty and pain in the underclass. His tone is rich with experience and empathy, a perfect fit for the characters. In Oregon, Eddie is a 40-something house painter, bighearted yet just getting by. Russell is the 8-year-old boy who lives next door. The two strike up a friendship, bonding over Eddie's old Pontiac LeMans, a vehicle that's seen better days. Small moments of human kindness are gently heartbreaking, especially in scenes where Russell is being bullied, families get fractured, or when life's luck runs out.

Vlautin brings a musician's lyricism to his audiobook.

Pub Date: April 14, 2026

Duration: 6 hrs, 40 mins

DD ISBN: 9780063346666

Publisher: Harper Audio

Review Posted Online: June 2, 2026

Kirkus Reviews Issue: July 15, 2026

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    WONDER BOYS

    American colleges are favorable locales for ghastly event and hair-tearing circumstance. There is, for instance, a good deal of pleasure to be had out of professor and past-prodigy Grady Tripp's awful life, as portrayed by Michael Chabon in WONDER BOYS. There is a certain amount of slapstick here, but it's balanced by Chabon's superb portrait of a gale-force mid-life crisis, a soul-destroying albatross of an unfinished novel and the mind-numbing inconsequence of writers' conferences. David Colacci sounds a little starved for oxygen in his reading, but that's not exactly out of keeping with Grady Tripp's personal gestalt.

    Pub Date: N/A

    Duration: N/A

    Publisher: Brilliance Audio

    Review Posted Online: Jan. 22, 2026

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      QUEEN LUCIA

      Class lurks in varying degrees behind every great English comedy, its ineffable code being so endlessly conducive to ironic subtlety. QUEEN LUCIA, the first of the great Lucia novels of E.F. Benson, is imbued with it. Nonetheless, social striving rather than class per se gives the novel its real comic force. At its center is Lucia, the regnant, self-appointed social and cultural leader of a genteel, middle-class circle. She’s a schemer and poser of awesome theatricality and self-delusion. Although the narrative is conducted in the third person, the characters’ doings, most especially Lucia’s, are as often as not reported in the light in which the perpetrators hope to be viewed. Still, the true facts and motivations, usually base, shine luminously through. Geraldine McEwen’s reading truly enhances the work, being a model of cultivated discretion and ironic pacing.

      Pub Date: N/A

      Duration: 9 hrs

      Publisher: ISIS Audio Books

      Review Posted Online: Jan. 22, 2026

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