Books by Aljean Harmetz

Released: Aug. 11, 1997

A former Hollywood business reporter for the New York Times (On the Road to Tara, 1996, etc.) debuts in fiction with this neatly restrained California suspenser. In Sherwood, eight-year-old David Greene deliberately upsets his divorced mother, Drew, calls his younger brother Kiley ``suckdick,'' gets sent to his bedroom—and decides to run away. At a mall where he buys baseball trading cards, David, as he's beginning to reconsider, is induced to accept a ride with Denver, a stranger, who abducts him instead of taking him home—and then starts brainwashing David into becoming ``Andy Ellis.'' Harmetz's procedural follows the cops' fruitless but necessary police work, Drew's stages of anxiety that lead to action, Denver's modus operandi, and the outward personality changes in David. The Sherwood police too readily assume that David has been killed, going so far, on very slender evidence, as to charge someone with his murder. Denver, meanwhile, is a master of child psychology, clearly having brainwashed many young boys into affection for him (``Yes, Daddy''). David, however, has a 168 IQ and secretly retains his real identity. Scenes alternate as Drew gradually draws a local detective, uncomfortable with the so-called resolution of the case, into the search, and as Denver and David move from motel to motel, hanging out at trading-card stores. Finally, the boy gets the idea of leaving trading cards of players named ``David'' as clues at various places, even though Denver keeps a very close eye on him. At first, Denver's a good daddy, however twistedly he tries to seduce David's affections. And since David hasn't truly vanished off the face of the earth, the climax is a foregone conclusion. Believable, well-weighted characters and dialogue, without really transcending genre status. (Author tour) Read full book review >
Released: Nov. 1, 1996

Harmetz, who has previously chronicled the making of The Wizard of Oz and Casablanca, now turns to the Great American Movie: Gone With the Wind. With access to previously unpublished materials in David Selznick's private archives, she relates the film's history, from the endless revision of the script to the battle with the censors—not only over Rhett Butler's use of the word ``damn,'' but the less well known fight over the word ``niggers,'' which is used in the book but not in the movie. Heavily illustrated, the volume includes scene sketches for Tara and the burning of Atlanta, costume sketches, makeup stills, and more. (Abrams; $39.95; Nov.; 224 pages; ISBN 0-8109-3684-4; Book-of-the-Month Club selection) Read full book review >
Released: Nov. 26, 1992

"It's still the same old story..."
Roundup of the usual suspects in the making of Casablanca, by Harmetz (The Making of the Wizard of Oz, 1977), the Hollywood business reporter for the New York Times. Read full book review >