"While the story might be more for adults than children, younger readers will love the exquisite images, time and again. (Picture book. 6-12)"
The United Kingdom's poet laureate offers a quiet but powerful musing on the circle of life and the arc of art, married to the precise loveliness of Ryan's papercuts.
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"There is little here for a child reader to hang onto; although initially beautiful, this tale is ultimately as warming as one of the stranger's blankets. (Picture book. 6-10)"
An original fairy tale with more style than substance tells of a princess who is always cold.
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"More often, however, the pairings are only obfuscatory and puzzling; the collection's scattered points of interest cannot redeem its wider failures."
Oddly surprised and invigorated by the discovery that "no anthology had focused on the theme of time in poetry," Duffy has attempted to shore up the gap, gathering a collection of poems by 50 contemporary poets (English, Irish and Scottish), in which each was invited to submit his own favorite poem on the topic.
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"Fans of Duffy's earlier I Wouldn't Thank You for a Valentine (1994) will be equally satisfied with this collection. (index) (Poetry. 11+)"
A fine, imported anthology, subtitled ``Poems About Death and Loss,'' of simple but sophisticated poems about the mystery, grief, fear, and occasional gallows humor that surround death.
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"Duffy's clever, angular little line drawings match the dominant aesthetic exactly. (Poetry. 14+)"
Eighty-five short poems by women, many of them British but including such American luminaries as Maya Angelou, Alice Walker, and Nikki Giovanni, mostly on facets of women's experiences as daughters, students, lovers, workers, wives, and mothers (relationships are absent from very few of these poems).
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