Books by Celia Hawkesworth

DOPPELGÄNGER by Daša Drndic
FICTION & LITERATURE
Released: Sept. 24, 2019

"Pensive and ponderous: a work of continental gloom that promises that no one gets out of here alive."
An elderly artist meets an elderly dandy in the late Croatian writer Drndić's (EEG, 2019, etc.) brief but potent novel, and the rest is history‚ with all its inevitable tragedy. Read full book review >
EEG by Daša Drndic
FICTION & LITERATURE
Released: April 30, 2019

"An elegant search for lost time and a fitting valediction by a superb writer."
In the late Croatian writer Drndic's (Belladonna, 2017, etc.) final novel, the fact that death eludes a would-be suicide does not mean that it has stopped looking to reap him. Read full book review >
OMER PASHA LATAS by Ivo Andric
FICTION & LITERATURE
Released: Sept. 18, 2018

"The historical context will be unfamiliar to most readers, but the issues, of good and evil, identity and fate, are universal."
A historical novel set in 1850 depicts a year in Bosnia under the rule of a despotic general and his occupying army, along with his obsequious and devious court. Read full book review >
BELLADONNA by Daša Drndic
FICTION & LITERATURE
Released: Sept. 15, 2017

"An elegant novel of ideas concerning decidedly inelegant topics, empathetic but unforgiving."
A pensive, provocative novel of history, memory, and our endlessly blood-soaked times by one of the foremost writers to have emerged from the former Yugoslavia. Read full book review >
NONFICTION
Released: Nov. 10, 2003

"Sometimes bitter, sometimes sweet, always intelligent and graceful."
A Croatian novelist and essayist (Have a Nice Day: From the Balkan War to the American Dream, 1995) now living in voluntary exile o'erglances the current literary landscape and does not care for the view. Read full book review >
NON-FICTION
Released: April 1, 1995

A rather jaundiced look at American culture by a highly regarded Croatian novelist living in exile. In a torrent of metaphors, Ugrei (Fording the Stream of Consciousness, not reviewed) compares her embattled native country, the war-torn former Yugoslavia, to what she found on a busman's holiday in the United States. Invited to teach at Wesleyan University, she divided her time between New York City and sleepy Middletown, Conn. Much of the book centers on the contrast between placid America, with its instantly disposable pop culture, and the brutalized Balkans, where civil war is taking its toll on ancient civilizations. The book is designed as a series of brief essays, etymological examinations of how America perceives concepts like ``harassment'' or invents new ones like ``couch potato.'' Ugrei repeatedly likens herself to Alice, slipping through the looking glass into a fantastical American landscape of fast food, TV talk shows, and the obsessive need to organize one's time. The resulting book is, as the title suggests, relentlessly mordant and often bitter. In a sotto voce response to a photographer who doesn't know where Zagreb is, she writes: ``In Croatia. In a country which does not yet exist. And where is that? In Yugoslavia. In a country which no longer exists.'' Many of her observations are original and witty (``Americans shop as if they were taking an important exam''), and it's hard to argue with her characterization of the US as ``a deeply infantile culture,'' but Ugrei often assumes a tone that is both insulting and uncharitable to her seemingly benign hosts. She now lives in Berlin. Given the nature of the ``real world'' she left behind in Zagreb, it's perhaps understandable and even forgivable that Ugrei is angry much of the time, but it doesn't always make for easy reading. A noteworthy book, but a disagreeable one. Read full book review >