"An illuminating collection of film criticism that is like a critical history of rock as exemplified by garage bands and one-hit wonders."
Critical perception is laced with love in this appreciation of the B-movies and exploitation flicks of the 1970s, which remain "the third—and, to date, last—great period in American movies."
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An analysis of secularism from Canadian philosopher Taylor (Modern Social Imaginaries, 2004, etc.), winner of the 2007 Templeton Prize.
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