"A few of the longer, more conventional tales flesh out character and eschew the simply bizarre to explore the landscape of the God-worried, the guilt-ridden, the death-haunted. But Means's artsy gestures undercut his better intentions."
A second collection by the author of A Quick Kiss of Redemption
(1991) continues the search for redemption in short fictions (some from Harper's
, most from little mags) that borrow their lyric style from the groggiest sort of contemporary long-line poetry. Dabbling in self-consciousness, Means plays with punctuation and ellipses; he often goes streamy when the narrative most demands clarity.
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