"Although she overamps some reveals and shortchanges others, Lippman as always treads the fine line between certainty and amazement."
Lippman (Hush Hush, 2015, etc.) takes familiar themes to a new locale as she traces a family's journey from raucous Baltimore to the meticulously planned community of Columbia, Maryland.
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"Tess' constant worry about whether she's a good mother dovetails ironically with Dawes' fight to win her daughters back. Lippman dives deep not only into the ways women tend to question their choices and abilities, but also into whether all mothers, and kids, are a little crazy."
Lippman's latest installment in the Tess Monaghan series weaves an exploration of the joys and frustrations of motherhood with a clever and engaging mystery.
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"Like Mary Cassatt, Lippman studies families with a different eye than her male contemporaries, showing the heartbreaking complexity of life with those you love."
Lippman (The Most Dangerous Thing, 2011, etc.), who specializes in tales of feckless parents and their luckless kids, puts a madam at the center of her latest dysfunctional family.
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"Lippman's slender tale, serialized previously in the New York Times Magazine, brings back her feisty star detective at her most belligerent, most vulnerable and perhaps most appealing."
Big changes come in small packages for a Baltimore private eye sidelined by an unplanned pregnancy.
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"Ex-journalist Lippman (Life Sentence, 2009, etc.) never forgets as she moves from past to present and from perspective to perspective that nothing is more important—or more elusive—than the truth."
A suburban wife and mother confronts her past when she receives a letter from the man who kidnapped her as a teenager.
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"Lippman fans won't be disappointed with these small treasures."
People, places and the things they love are the focus of Lippman's unwavering gaze in this collection of 17 stories, 15 of them reprints from 2001-07.
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"Like lunch at Atwater's, Tess's latest leaves you fully satisfied but looking forward to next time."
An early morning rowing accident lands Baltimore PI Tess Monaghan (No Good Deeds, 2006, etc.) what may be the worst job of her life.
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"This newest stand-alone from Lippman (Every Secret Thing, 2003, etc.) takes a searching look at the implosion of the American dream into every parent's worst nightmare."
A murder-suicide that rocks a Baltimore suburb may not be what it seems.
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"Lucid, tight, and compelling. It's Lippman's gift to show the Good Ronnie and Bad Ronnie in every one of her characters, leaving no one unscathed and no one unredeemed."
The creator of Tess Monaghan (The Last Place, 2002, etc.) crosses over in a chilling study of mothers, daughters, love, and murder.
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"Tess never stops searching—for answers, for justice, and for self-perception—and Lippman never quits until she's captured each breathtaking moment of her heroine's dizzying trip."
When Whitney Talbot offers Tess Monaghan a job, Tess is inclined to brush her best friend off.
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"Edgar-winning Tess's hardcover debut is a rare find: a puzzle so finely calibrated that each new disclosure brings revelation and deepening mystery at the same time, as well as a sense of place so unerring it makes Baltimore everyone's hometown. (Author tour)"
If anyone knows about Baltimore politics, it's private detective Tess Weinstein Monaghan, who grew up riding her tricycle around the Stonewall Democratic Club.
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