Antoni (My Grandmother's Erotic Folktales, 2001, etc.) turns a Hemingway classic of early-20th-century angst into a less-than-classic tale of Caribbean aimlessness.
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"It's a mess (the concluding episode is especially disjointed and truncated), but Grandmother's sensual energies and fluent loquacity make this Antoni's most accessible and enjoyable fiction nevertheless."
Another inveterate yarnspinner dominates this chaotically structured yet frequently entertaining third novel (Blessed Is the Fruit, 1997, etc.) from American-born Antoni, who grew up in the Bahamas.
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In Caribbean writer Antoni's second novel (after Divina Trace, 1992), drenched to soddenness with lush language and symbolism, two women—one black, one white—tell their melodramatic life stories to an unborn child.
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"Where was the editor on watch when this book came through?"
Old Granny Myrna, on her deathbed, tells her grandson, Johnny Domingo, the miraculous Caribbean tale of Magdelena the nun who, with Barto as the father, births a half-man/half-frog child whose existence then becomes the stuff of legend and leads to Magdelena's universal canonization on the island of Corpus Christi by the whole ethnic mix.
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