Books by Theodore Roszak

THE DEVIL AND DANIEL SILVERMAN by Theodore Roszak
FICTION & LITERATURE
Released: Jan. 1, 2003

"Much too long and more than a little self-indulgent—but for most of its fractious, farcical length, most readers will be having too much fun to notice."
Sinclair Lewis might have liked this ebullient lampoon, whose targets include writers' frail egos and crowded psyches, the publishing industry's deranged priorities, and the nuts and bolts (especially the nuts) of religious fundamentalism. Read full book review >
HEALTH & MEDICINE
Released: Nov. 4, 1999

This antiscientific tract by a history professor focuses on the sexual politics of science. Read full book review >

HEALTH & MEDICINE
Released: Sept. 15, 1998

Assuming a high moral ground for his generation—and, by implication, himself—historian Roszak follows the rebellious youth whose ideals he analyzed 30 years ago (The Making of a Counter Culture, 1969) into their dawning old age, claiming for them a wisdom that could enrich American society with a vibrant new altruism. Read full book review >

THE MEMOIRS OF ELIZABETH FRANKENSTEIN by Theodore Roszak
THRILLERS
Released: April 25, 1995

Few would argue that Mary Shelley failed to produce a pop- culture classic when she penned Frankenstein. Read full book review >

THE VOICE OF THE EARTH by Theodore Roszak
HISTORY
Released: June 30, 1992

Repeatedly, in this scholarly survey of cultural history, Roszak (History/California State Univ.; Flicker, 1991, etc.) evokes a back-to-nature philosophy, contrasting the rational philosophy of the Enlightenment with the romanticism of the noble savage; prehistoric animism and earth-mother religion with the rise of patriarchy and male-dominated, nature-dominating religion. Read full book review >

FLICKER by Theodore Roszak
FICTION & LITERATURE
Released: May 1, 1991

Huge, deep-delving movie-lover's delight—and as rich a novel about the metaphysics of moviemaking as has ever been—by the author of The Making of a Counter Culture and 1984's unconvincing Dreamwatcher. Sometime in the mid-1950's, UCLA student Jonathan Gates starts attending the grungy hole-in-the-wall art-film movie-house The Castle and catches up on postwar French and Italian films. Read full book review >