by Arun Rajagopal ‧ RELEASE DATE: N/A
A quiet, character-driven murder mystery with an understated paranormal bent.
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In this debut thriller, an antique and apparently supernatural mask may lead a Texas physician to a murderer.
Dr. Jayant “Jick” Arnsson is a successful anesthesiologist living in one of the richest suburbs of Dallas. But that doesn’t mean he’s happy; the divorced Anglo-Indian doctor is nearing retirement with, he feels, no real sense of accomplishment. That may change after Jick stumbles onto a millennia-old, wooden, dome-shaped mask at an antiques store. This Mask Mortem—the reputed “Healer of Life,” contrary to the literal translation, “mask of death”—makes a nice souvenir to brighten up Jick’s office at a local hospital. As time passes, the surprisingly animated mask oscillates between a “lifeless” face and an inexplicable vibrancy. One day, when it’s particularly vibrant, Jick tries it on only to experience a disorienting vision. He’s convinced he saw the last few minutes of life of a patient who recently died on the table. Later, he tries the mask again and, through the eyes of a shooting victim, sees her killer. When his supernatural-enhanced visions link this murderer to the deaths of homeless men, Jick fears more homicides will follow. But who will believe his claim? Maybe someone he trusts unconditionally—his little brother, Vic. Keen investigative reporter Vic puts in the footwork needed to track down a murderer seemingly targeting the homeless. Unfortunately, the culprit is just as clever, and when Jick realizes the killer is wise to his brother’s probing, he rushes to save Vic— and learns the full extent of the Healer of Life’s powers.
Rajagopal’s novel begins with measured character development. The story, for example, tends to highlight Jick’s “routine” workdays. Readers unfamiliar with his field, however, may find the vivid details of his job fascinating: “Jick cleaned the area and placed a sterile drape over it. It took less than a minute to numb [the patient’s] skin and place the thin spinal needle in the right place. Jick removed the stylet, the small inner wire in the needle, and noted the crystal clear spinal fluid.” The author gradually introduces an enthralling cast of Dallasites whose connections to Jick (or the mask) aren’t immediately evident; there’s hedge fund manager Peter Northrup, on the verge of a midlife crisis, as well as dispirited housewife Tiffany Jensen, who has an abusive husband. Meanwhile, the appealing, sympathetic protagonist lives under “the Black Cloud” of his anxiety, for which he takes meds, and yearns for a lasting romance. The novel’s latter half picks up considerably once the killer, whom readers know right away, seeks out victims. The culprit’s methodical approach to homicide is unnerving and elevates the suspense as Jick and Vic each inch closer to the murderer. While the mask’s supernatural capacity provides a significant narrative turn, Rajagopal incorporates it subtly; Jick treats these short, “fuzzy” visions as evidence that might help solve a mystery. Still, the ending is a doozy, veering in a direction most readers won’t anticipate. The author aptly wraps up the murders, the vision-inducing mask, and even a certain character’s personal dilemma with astounding satisfaction.
A quiet, character-driven murder mystery with an understated paranormal bent.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 18, 2022
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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