Readers will likely be sorry to see this book (and the world) come to a conclusion.
It’s the end of the world as we know it in this fine Dr. Strangelove–ian satire about the mad search for a doomsday device.
Robertson’s (The Siege of Walter Parks, 2012) self-billed “feel good story about the end of the world” may not be completely unique, but it is exceedingly clever and entertaining and, at times, spot-on loony. Thirteen-year-old Alex Graham and his friend Gerald find a thermos-shaped canister labeled “Top Secret” and “Property of the United States Government.” No sooner does Alex put it up for bid on eBay than he finds himself hunted by mercenaries and the CIA. The elusive canister turns out to be a long-lost weapon of ultimate destruction created by a Dr. MacGuffin (likely a sly reference to Alfred Hitchcock’s signature plot device of a desired object that drives a story). The United States, led by an ineffectual president who fancies himself a poet, wants it back, but others, including a stereotypically drawn Islamic terrorist and a German arms dealer, have their own designs on the elusive weapon. CIA agent Charlie Draper, whose own world ended with the deaths of his wife and daughter, takes Alex under his wing as the search becomes more frantic and the body count escalates. Robertson is adept at balancing the story’s farcical and gritty elements. The book’s violence is sudden and punishing, which underscores the high stakes and invests the story with a gravitas that makes its absurdist passages even funnier. That said, the humor is hit-or-miss; all the jokes can’t be good, as Groucho Marx once said, but readers, after wading through an opening disclaimer, a preface, a few words about the book’s science (“There isn’t any”), and a faux introduction that extols the book’s silliness, might be tempted to ask the author to get on with it. The invented quotes (“‘Do I really sound like that?’—R.M. Nixon”) that head most chapters also become increasingly tiresome. That said, there are also some sublimely silly passages whose deadpan musings recall the late Douglas Adams.
Readers will likely be sorry to see this book (and the world) come to a conclusion.Pub Date: Nov. 16, 2015
ISBN: N/A
Page Count: -
Publisher: Gin & Tonic Press
Review Posted Online: Oct. 26, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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