Edith Wharton’s 1926 “A Bottle of Perrier” sets a high bar for everything that precedes it. Good thing it comes last.
Variety is the keynote for these 21 recent reprints and one century-old bonus story.
Both editor Towles and series editor Otto Penzler emphasize the central importance of dead bodies in mystery fiction, ignoring the fact that two of the stories they’ve chosen end with the entire cast still alive. Aaron Philip Clark, Tom Larsen, Michael Mallory, and Ashley Lister choose characters or settings—an undocumented mother helpless to get justice for her son’s death, a corrupt Ecuadorian cop, a house cat fitted with a camera that records a murder in progress, a prostitute who shot the trafficker/witness she was hired to entertain—that provide welcome originality, and Lou Manfredo, Annie Reed, Anna Round, and Jessi Lewis showcase elegiac moments that are variously open-ended, the inconclusiveness of the last two especially effective. Most of the remaining stories tick the boxes for established but diverse subgenres. Victor Kreuiter and Joseph S. Walker follow hit men who come out of retirement for one last score. Joslyn Chase’s reopening of a cold case is an expertly compressed procedural. Andrew Child’s latest Jack Reacher adventure is interesting mainly for its uncertainty about which minor details will provide springboards for action. Jeffery Deaver’s cat-and-mouse game between a U.S. marshal and an explosively violent woman is notable for one of Deaver’s trademark surprises halfway through. Derrick Belanger pens a deft Sherlock-ian pastiche; Kerry Hammond introduces a darkly witty twist to her homage to Miss Marple; Sean McCluskey salutes the more hard-boiled criminals Parker and Keller in his tale of a no-holds-barred attorney seeking his wealthy client’s kidnapped daughter. The best of these traditional stories is Brendan DuBois’ predictable but perfectly turned account of a wealthy fugitive who’s blackmailed by his gardener.
Edith Wharton’s 1926 “A Bottle of Perrier” sets a high bar for everything that precedes it. Good thing it comes last.Pub Date: Sept. 19, 2023
ISBN: 9781613164488
Page Count: 500
Publisher: Mysterious Press
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
This book and its author are cleverer than you and want you to know it.
In this mystery, the narrator constantly adds commentary on how the story is constructed.
In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.
This book and its author are cleverer than you and want you to know it.Pub Date: Jan. 17, 2023
ISBN: 978-0-06-327902-5
Page Count: 384
Publisher: Mariner Books
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
BOOK REVIEW
BOOK REVIEW
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