Visually charming, enjoyable, and educational
A little girl and her family join the Kansas land rush.
The cover welcomes readers into this story about Dede Patton and her family. Both of Dede’s parents work extra jobs, and Dede shines shoes at the train station, all in hopes of paying off their sharecropping debt so they can move west. But no matter how much they work, they don’t make enough (context on the sharecropping economy is provided in a note). An act of providence changes their fortunes when honest Dede returns a customer’s wallet and receives a monetary reward. Though not remarked upon, the fact that without this windfall the Pattons might never have realized their dream is chilling. The lovely, warm watercolor illustrations highlight the beauty of the prairie, particularly the wide expanse of grass and sky. In Kansas, the Pattons stake their land claim, but winter is harsh. Thankfully, when food and fuel run low, Ni-u-kon-ska (Osage) neighbors lend aid. Eventually more people arrive, African-American like the Pattons; their settlement becomes a town, and the Pattons’ dream of holding the deed for their land is realized. The closing note acknowledges the displacement of the Ni-u-kon-ska people—another opportunity for exploration. That the many all-black settlements on the prairie have been whitewashed out of U.S. history makes this book an important one.
Visually charming, enjoyable, and educational . (Picture book. 4-9)Pub Date: Jan. 1, 2019
ISBN: 978-0-8075-2535-7
Page Count: 32
Publisher: Whitman
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
A stunning, honest, yet age-appropriate depiction of historical injustice.
Giddens’ song commemorating the 155th anniversary of Juneteenth is adapted into a picture book centering history and resilience.
Written in second person, the story begins “You brought me here / to build your house” and depicts a Black family joining enslaved Black laborers in a field, transported and supervised by a White person. The family helps the others lay bricks and pick cotton until they are sent away, with the White person gesturing for them to leave (“you told me… // GO”). Against a backdrop of green fields and blue mountains, the family finds “a place / To build my house,” enjoying freedom, until “you said I couldn’t / Build a house / And so you burnt it…// DOWN.” Beside the ashes, the family writes a song; images depict instruments and musical notes being pulled from the family; and another illustration shows White people dancing and playing. The family travels “far and wide” and finds a new place where they can write a song and “put my story down.” Instruments in hand, the family establishes itself once again in the land. This deeply moving portrait of the push and pull of history is made concrete through Mikai’s art, which features bright green landscapes, expressive faces, and ultimately hopeful compositions. Giddens’ powerful, spare poetry, spanning centuries of American history, is breathtaking. Readers who discover her music through this book and the online recording (included as a QR code) will be forever glad they picked up this book. (This book was reviewed digitally.)
A stunning, honest, yet age-appropriate depiction of historical injustice. (afterword) (Picture book. 4-8)Pub Date: Oct. 11, 2022
ISBN: 978-1-5362-2252-4
Page Count: 40
Publisher: Candlewick
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
A quiet and informative picture of belated emancipation.
A father shares an important holiday with his daughter.
Mazie is unhappy because it is bedtime, and she would much rather stay up. She snuggles up to her father, who tells about a big celebration that will occur tomorrow—“on a day we call Juneteenth.” It begins with “Great, Great, Great Grandpa Mose,” who is a slave in the cotton fields until June 19, 1865, when freedom is finally proclaimed in Galveston, Texas. Dancing and celebrating in the streets greet the news. Equality does not necessarily follow, but the day is always remembered. Protests, education and forgiveness, continues the father in his narration, are part of the story, which culminates with the inauguration of Barack Obama. He promises Mazie a day of good food, fun and remembrance. Cooper’s story is straightforward and aimed at an early-elementary audience, but it provides sufficient information to use with older children as an introduction to Juneteenth, which is marking its 150th anniversary in 2015. His full-page artwork—oil paintings in softly textured yellows and browns—captures the tender relationship between a father and daughter and the sadness and pride of their family story. Broad sweeps of history are encapsulated in double-page spreads focusing on determined, prayerful and happy faces.
A quiet and informative picture of belated emancipation. (afterword) (Picture book. 4-9)Pub Date: Feb. 1, 2015
ISBN: 978-1-62370-170-3
Page Count: 40
Publisher: Capstone Young Readers
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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