A colorful, wholly absorbing narrative tapestry.
The past and future of a coveted fabric.
Geneticist Prasad, author of In the Bonesetter's Waiting Room, delivers a vibrant cultural and scientific history of an amazing natural fiber: silk. From a diet of mulberry leaves, the caterpillars that Linnaeus called Bombyx mori extrude threads that form a cocoon, protecting them as they transform into moths. The extraordinary properties of this thread became the basis of cloth-making by Neolithic Chinese farmers, who bred and harvested the silkworms and also used the eggs, larvae, pupae, and feces in traditional medicines, dyes, fertilizers, and flavoring. However, silk-making did not originate only in China. Archaeological expeditions to India have found evidence of silk in artifacts made between 2450 and 2000 B.C.E.—not from Bombyx mori, but from other distinct types of moths across the subcontinent. Besides tracing the earliest evidence of silk production, Prasad creates richly detailed portraits of the many 17th-, 18th-, and 19th-century naturalists who devoted themselves to investigating the mysterious process of metamorphosis, the anatomy of silkworms, and the properties of silk threads, making intrepid journeys in search of caterpillars. Although prized for the shimmering luster that made it a hugely profitable commodity in international trade, silk—especially spider silk—is also extremely strong, making it useful for suturing and dressing wounds and for military use, including creating crosshairs, parachutes, and bullet-proof vests. The forcible silking of spiders gave rise to various contraptions whereby spiders would be immobilized and stimulated to produce extrusions 52 times finer and “nearly three times stronger, more elastic, and more durable than the moth’s.” Prasad reports much scientific interest in producing synthetic spider silk proteins that could offer a “biodegradable antidote to plastic”; thus far, it has been a daunting challenge. The book is generously illustrated with scientific drawings and photos.
A colorful, wholly absorbing narrative tapestry.Pub Date: April 30, 2024
ISBN: 9780063160255
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: March 20, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
This is not an easy account to read, but it is important enough not to be forgotten.
A story of ordinary people, both victims and survivors, thrown into extraordinary history.
Pellegrino says his book is “simply the story of what happened to people and objects under the atomic bombs, and it is dedicated to the hope that no one will ever witness this, or die this way, again.” Images of Aug. 6, 1945, as reported by survivors, include the sight of a cart falling from the sky with the hindquarters of the horse pulling it still attached; a young boy who put his hands over his eyes as the bomb hit—and “saw the bones of his fingers shining through shut eyelids, just like an X-ray photograph”; “statue people” flash-fossilized and fixed in place, covered in a light snowfall of ashes; and, of course, the ghosts—people severely flash-burned on one side of their bodies, leaving shadows on a wall, the side of a building, or whatever stood nearby. The carnage continued for days, weeks, and years as victims of burns and those who developed various forms of cancer succumbed to their injuries: “People would continue to die in ways that people never imagined people could die.” Scattered in these survivor stories is another set of stories from those involved in the development and deployment of the only two atomic weapons ever used in warfare. The author also tells of the letter from Albert Einstein and Leo Szilard to Franklin D. Roosevelt that started the ball rolling toward the formation of the Manhattan Project and the crew conversations on the Enola Gay and the Bockscar, the planes that dropped the Little Boy on Hiroshima and the Fat Man on Nagasaki. We have to find a way to get along, one crew member said, “because we now have the wherewithal to destroy everything.”
This is not an easy account to read, but it is important enough not to be forgotten.Pub Date: Aug. 5, 2025
ISBN: 9798228309890
Page Count: 314
Publisher: Blackstone
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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