A fine addition to the ongoing Star Wars saga.

MERCY KILL

From the Star Wars: X-Wing series

The Star Wars expanded universe continues to grow, as Allston (Star Wars: Fate of the Jedi: Conviction, 2011, etc.) supplies the 10th book in the Star Wars: X-Wing series and the first since Allston’s Starfighters of Adumar (1999).

The new novel centers on the now-decommissioned Wraith Squadron, a misfit group of highly-skilled fighters founded by Rebel Alliance pilot Wedge Antilles (a minor character from the original Star Wars film trilogy). Many years after the Wraiths’ last mission, former commander Garik “Face” Loran is getting members of the old team back together—including Gamorrean math whiz Voort saBinring and human tactical expert Bhindi Drayson—for a new, off-the-grid mission: to go after Alliance general Stavin Thaal, suspected of being part of a conspiracy to overthrow the Alliance. The team—including new members, such as Antilles’ daughter Myri and a Yuuzhan Vong named Scut—organizes a mission to draw their target out. But the situation with the general turns out to be more complicated than it first appears. Allston does an excellent job moving the action along and skillfully juggles the many colorful alien and human characters with ease. This latest novel follows on the events of the recently completed nine-book Fate of the Jedi saga, for which Allston also wrote three installments. Though it will please fans of previous entries in the X-Wing series, this entry (save for a few scenes) takes place years after those books and features several new characters, effectively functioning as a stand-alone work. As such, it provides a rare entry point for newbies to the Star Wars expanded universe. It also leaves the door open for further Dirty Dozen-esque Wraith Squadron adventures.

A fine addition to the ongoing Star Wars saga.

Pub Date: Aug. 7, 2012

ISBN: 978-0-345-53059-2

Page Count: 272

Publisher: Del Rey/LucasBooks

Review Posted Online: Aug. 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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