by Aaron Blabey & illustrated by Aaron Blabey ‧ RELEASE DATE: Sept. 1, 2008
A friendship of opposites receives splendid visual treatment. Pearl Barley solves mysteries, chatters and “likes to run amok,” while bashful Charlie Parsley waters daisies, peruses The Benefits of Wearing Felt and hunkers down beneath a pile of pillows. Pearl motorcycle-jumps over a chasm balancing teacups on one foot and a fishbowl on the other, while red yarn swoops down from her wrist into the skein from which Charlie sits calmly knitting. Valiant Pearl’s sword and newspaper hat chase away Charlie’s fears as she confidently holds him piggyback; Charlie’s “lovely beside manner” comforts tired Pearl as he brings her warm milk. Blabey’s spirited and energetic paintings use acrylic and mixed media on textured board. Compositions vary boldly (Charlie’s shyness shows him peeping in from off-page), and deadpan humor runs throughout. The control of color shines: Low-intensity tertiary colors are highlighted with bright bits, while black-and-white pages reveal fatigue, fear, cold and feeling “small or lonely or just plain blue.” Make sure to note Charlie’s wonderfully expressive eyebrows; they, like this book, stand out. (Picture book. 3-6)
Pub Date: Sept. 1, 2008
ISBN: 978-1-59078-596-6
Page Count: 32
Publisher: Front Street/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2008
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by Suzanne Bloom & illustrated by Suzanne Bloom ‧ RELEASE DATE: March 1, 2005
A more perfect union between giggle-inducing but reassuring images and a text of very few words is hard to conjure. The brilliant pastels open on a double-page spread of Goose trotting down a huge hairy mound, which turns out to be Bear, lying on his stomach with a book. “What are you doing? Are you reading?” asks Goose, perched on Bear’s head. “I like to read” says Goose, sitting directly in front of Bear’s book, and reading to him. Bear takes out his notebook and starts to write, and Goose wants Bear to see him write. Bear, visibly growing increasingly exasperated, is thinking now, and Goose notes that thinking makes him hungry and goes off to make a snack. He returns with a snack, a blanket and a note for Bear, who at this point is trying to hide behind his notebook. “You are my splendid friend,” reads Goose’s note, and Bear wipes away a tear and wraps Goose in a huge hug before the two sit down to share the snack. Bear’s ursine fuzziness against a background of deep blues and Goose’s small awkward, overeager self make an adorable contrast. (Picture book. 3-6)
Pub Date: March 1, 2005
ISBN: 1-59078-286-0
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
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by Suzanne Bloom ; illustrated by Suzanne Bloom
by Suzanne Bloom ; illustrated by Suzanne Bloom
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by Suzanne Bloom ; illustrated by Suzanne Bloom
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by Suzanne Bloom ; illustrated by Suzanne Bloom
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by Andy Harkness ; illustrated by Andy Harkness ‧ RELEASE DATE: July 11, 2023
Sure to soothe anyone who’s ever fretted about what’s out there in the dark.
In this follow-up to Wolfboy (2021), an innovative art technique jazzes up a familiar narrative.
After a long night of playing, Wolfboy and his rabbit friends head home. They hope to arrive before moonset, so Wolfboy advises that they use a shortcut “through the lair of the GRUMBLE MONSTER.” As the title suggests, Wolfboy is the one scared by this plan, not the rabbits. Harkness uses perspective to make Wolfboy and the rabbits seem very small as they enter the forest. Wolfboy thinks he sees the monster lurking behind trees, but the rabbits reassure him otherwise (those “claws” are just branches, and that “tail” is just a bramble vine). Readers, however, will notice parts of the monster’s large body in the foregrounds of the illustrations, unseen by the characters. The pacing recalls Julia Danielson and Axel Scheffler’s The Gruffalo, as the monster is revealed bit by bit, and when Wolfboy and the rabbits finally meet him, he’s not so scary after all. This twist brings to mind stories like Rachel Bright’s Love Monster (2012) or even Andrew Clement and Yoshi’s Big Al (1991), but the distinctive artwork sets Harkness’ picture book apart. The Claymation-like illustrations, which Harkness explains in a note he created using a virtual-reality headset, sculpting each page “in much the same way I would sculpt with real clay,” have a 3-D effect, like stills from stop-motion animation. (This book was reviewed digitally.)
Sure to soothe anyone who’s ever fretted about what’s out there in the dark. (Picture book. 3-6)Pub Date: July 11, 2023
ISBN: 978-1-5476-0445-6
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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by Andy Harkness ; illustrated by Andy Harkness
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